{"id":1127,"date":"2017-12-17T17:47:19","date_gmt":"2017-12-17T17:47:19","guid":{"rendered":"http:\/\/mancent.org.uk\/?page_id=1127"},"modified":"2018-01-19T17:35:18","modified_gmt":"2018-01-19T17:35:18","slug":"emily-dickinson-the-threads-of-influence","status":"publish","type":"page","link":"https:\/\/mancent.org.uk\/?page_id=1127","title":{"rendered":"Emily Dickinson &#038; The Threads of Influence"},"content":{"rendered":"<p><span style=\"color: #ff0000;\">This course is now fully booked, our apologies for any disappointment this may cause.<\/span><\/p>\n<p>Barry Wood<\/p>\n<p class=\"p1\">The two great US poets of the nineteenth century: Walt Whitman and Emily Dickinson, have curiously distinct histories both in terms of their achievement and their influence.<span class=\"Apple-converted-space\">\u00a0 <\/span>Whitman made an almost immediate impact on American<span class=\"Apple-converted-space\">\u00a0<\/span>poetry with the publication of THE LEAVES OF GRASS in 1855, was revered as the Good Gray Poet by the time he died in 1892\u00a0and acquired a world reputation in the twentieth century. Emily Dickinson, on the other hand, was virtually unknown in her own lifetime and her impact on twentieth poetry is much more difficult to determine.<\/p>\n<p class=\"p1\">The purpose of this course will be to assess her achievement as a poet and to trace threads of influence, primarily on American women poets in the twentieth century.<span class=\"Apple-converted-space\">\u00a0 <\/span>Does she have followers?<span class=\"Apple-converted-space\">\u00a0 <\/span>In terms of language, style and form, perhaps not; but, for insight and attitude, she represents a very American resonance and individuality. Her influence is pervasive rather than specific, a matter not of linguistic, formal or even thematic debt but rather of outlook and perspective. Apart from Dickinson, we will be considering in detail poems by some of the following: Marianne Moore, Louise Bogan, Stevie Smith, Elizabeth Bishop, Adrienne Rich, John Ashbery and Sylvia Plath.<\/p>\n<p><strong>Recommended Reading:<\/strong><\/p>\n<p class=\"p1\">Selected poems will be distributed during the course.<span class=\"Apple-converted-space\">\u00a0 <\/span>For reference, see also: Cora Kaplan SALT AND BITTER AND GOOD (1975); and Adrienne Rich&#8217;s essay &#8220;Vesuvius at Home: The Power of Emily Dickinson&#8221; in ON LIES SECRETS AND SILENCE (1975)<\/p>\n<p class=\"p1\"><strong>Day: \u00a0 \u00a0 \u00a0 \u00a0<\/strong>Thursday<strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Time<\/strong>: \u00a010.30am-12.30<\/p>\n<p class=\"p1\"><strong>Date<\/strong>: 8 weeks, 1st February to 22 March 2018<\/p>\n<p class=\"p1\"><strong>Venue<\/strong>:<br \/>\nSt.Peter\u2019s House<br \/>\nUniversity Precinct<br \/>\nOxford Road<br \/>\nManchester \u00a0M13 9GH<\/p>\n<table>\n<tbody>\n<tr>\n<td><b>Price<\/b><\/td>\n<td><b>Concessions<\/b><\/td>\n<td><b>Minimum No.<\/b><\/td>\n<td><b>Maximum No.<\/b><\/td>\n<\/tr>\n<tr>\n<td>\u00a385<\/td>\n<td><\/td>\n<td>8<\/td>\n<td>14<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p class=\"p1\">Please send your\u00a0<a href=\"https:\/\/mancent.org.uk\/wp-content\/uploads\/2016\/07\/MANCENT-booking-form-new.pdf\">booking form<\/a>\u00a0with an accompanying cheque to:<br \/>\nBarry Wood, 12 St. Brannock\u2019s Road, Chorlton-cum-Hardy, Manchester M21 0UP<\/p>\n<div class=\"entry-content\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>This course is now fully booked, our apologies for any disappointment this may cause. Barry Wood The two great US poets of the nineteenth century: Walt Whitman and Emily Dickinson, have curiously distinct histories both in terms of their achievement and their influence.\u00a0 Whitman made an almost immediate impact on American\u00a0poetry with the publication of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1127","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/mancent.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/1127","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mancent.org.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mancent.org.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mancent.org.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mancent.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1127"}],"version-history":[{"count":4,"href":"https:\/\/mancent.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/1127\/revisions"}],"predecessor-version":[{"id":1251,"href":"https:\/\/mancent.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/1127\/revisions\/1251"}],"wp:attachment":[{"href":"https:\/\/mancent.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}