Jo Backhouse & Michael Tunnicliffe<\/p>\n
During the Amarna period some of the most striking works of art from ancient Egypt were created.\u00a0 <\/span>Religious change was the impetus for innovation in both architecture and art.\u00a0 <\/span>During this creative revolution, Egypt was a powerful nation in a network of city-state. Text reveals the interaction between Egypt and her neighbours. By studying both the art and transcripts this study day will examine both the internal and external factors which shaped this epoch.<\/p>\n Recommended reading (for publication in brochure): <\/b><\/p>\n Arnold, D. (1997) The Royal Women of Amarna<\/i>, New York: The Metropolitan Museum. Dayschool<\/b>:\u00a0Saturday, \u00a019th May\u00a0 2018\u00a0 \u00a0\u00a0<\/span>Time<\/b>: 10.30am\u2013 4.30pm<\/p>\n Venue<\/b>: To book, complete the\u00a0MANCENT booking form<\/a>\u00a0and send it with cheque payment to:<\/p>\n Michael Tunnicliffe 5 St George\u2019s Way, Northwich, CW9 8XG, 01606 42116\u00a0mtunni@sky.com<\/a><\/p>\n
\nStevens. A. (2006) Private Religion at Amarna<\/i>, Oxford: Archaeopress.
\nMoran, W. L., (Ed.) (1992) The\u00a0Amarna\u00a0letters\u00a0\/ edited and translated by William L. Moran<\/i>, <\/i><\/span>Baltimore: John Hopkins University Press.<\/p>\n
\nCross Street Chapel
\n<\/a>Cross Street, Manchester, M2 1NL<\/p>\n\n\n
\n Price<\/b><\/td>\n Concessions<\/b><\/td>\n Minimum No.<\/b><\/td>\n Maximum No.<\/b><\/td>\n<\/tr>\n \n \u00a340<\/td>\n <\/td>\n 6<\/td>\n 40<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n