{"id":1475,"date":"2018-07-26T19:33:18","date_gmt":"2018-07-26T18:33:18","guid":{"rendered":"http:\/\/mancent.org.uk\/?page_id=1475"},"modified":"2018-08-27T18:44:57","modified_gmt":"2018-08-27T17:44:57","slug":"the-art-of-early-byzantium-and-its-context","status":"publish","type":"page","link":"https:\/\/mancent.org.uk\/?page_id=1475","title":{"rendered":"The art of early Byzantium and its context"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/mancent.org.uk\/wp-content\/uploads\/2018\/08\/28b6f34f964a56af7494b2a7984cb7f4.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1620 alignleft\" src=\"https:\/\/i0.wp.com\/mancent.org.uk\/wp-content\/uploads\/2018\/08\/28b6f34f964a56af7494b2a7984cb7f4.jpg?resize=173%2C300&#038;ssl=1\" alt=\"\" width=\"173\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/mancent.org.uk\/wp-content\/uploads\/2018\/08\/28b6f34f964a56af7494b2a7984cb7f4.jpg?resize=173%2C300&amp;ssl=1 173w, https:\/\/i0.wp.com\/mancent.org.uk\/wp-content\/uploads\/2018\/08\/28b6f34f964a56af7494b2a7984cb7f4.jpg?resize=416%2C720&amp;ssl=1 416w, https:\/\/i0.wp.com\/mancent.org.uk\/wp-content\/uploads\/2018\/08\/28b6f34f964a56af7494b2a7984cb7f4.jpg?resize=768%2C1329&amp;ssl=1 768w, https:\/\/i0.wp.com\/mancent.org.uk\/wp-content\/uploads\/2018\/08\/28b6f34f964a56af7494b2a7984cb7f4.jpg?resize=592%2C1024&amp;ssl=1 592w, https:\/\/i0.wp.com\/mancent.org.uk\/wp-content\/uploads\/2018\/08\/28b6f34f964a56af7494b2a7984cb7f4.jpg?w=1000&amp;ssl=1 1000w\" sizes=\"auto, (max-width: 173px) 100vw, 173px\" \/><\/a>Birgitta Hoffmann<\/p>\n<p>Byzantine art is often seen as a world of icons and churches. But how did it arise? This course is going to look at the surviving Byzantine and its closely related Umayyad Art in the Eastern provinces and discuss how the art reflects and transcends a very complex political and religious reality in the area.<\/p>\n<p><strong>Dayschool<\/strong>: Friday, 7<sup>th<\/sup> December 2018\u00a0\u00a0 \u00a0 <strong>Time<\/strong>: 11am\u2013 4pm.<strong>\u00a0<\/strong><\/p>\n<p><strong>Venue<\/strong>:<br \/>\n<a href=\"http:\/\/www.mancent.org.uk\/venues.html\">Wilmslow<\/a> <a href=\"http:\/\/www.mancent.org.uk\/venues.html\">Parish<\/a> <a href=\"http:\/\/www.mancent.org.uk\/venues.html\">Hall<\/a><br \/>\nCliff Road, Wilmslow, Cheshire, SK9 4AA<\/p>\n<p>&nbsp;<\/p>\n<p>Please note: The car park is a very busy pay and display car park (\u00a32).<\/p>\n<table width=\"420\">\n<tbody>\n<tr>\n<td width=\"39\"><strong>Price<\/strong><\/td>\n<td width=\"89\"><strong>Concessions<\/strong><\/td>\n<td width=\"126\"><strong>Minimum No.<\/strong><\/td>\n<td width=\"166\"><strong>Maximum No.<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"39\">\u00a332<\/td>\n<td width=\"89\">\u00a328*<\/td>\n<td width=\"126\">9<\/td>\n<td width=\"166\">35<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>*\u00a328, if booked before 10 November , 2018.<\/p>\n<p>To book, complete the\u00a0<a href=\"https:\/\/mancent.org.uk\/wp-content\/uploads\/2016\/07\/MANCENT-booking-form-new.pdf\" data-slimstat=\"3\">MANCENT booking form<\/a>\u00a0and send it with payment to<\/p>\n<p class=\"p1\">Birgitta Hoffmann,\u00a055 Broadwalk, Wilmslow, Cheshire, SK9 5PL<br \/>\n<b>email<\/b>: latinteacher@btinternet.com\u00a0<b>phone<\/b>: 07747 533 070<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Birgitta Hoffmann Byzantine art is often seen as a world of icons and churches. But how did it arise? This course is going to look at the surviving Byzantine and its closely related Umayyad Art in the Eastern provinces and discuss how the art reflects and transcends a very complex political and religious reality in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-1475","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/mancent.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/1475","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mancent.org.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mancent.org.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mancent.org.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mancent.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1475"}],"version-history":[{"count":3,"href":"https:\/\/mancent.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/1475\/revisions"}],"predecessor-version":[{"id":1680,"href":"https:\/\/mancent.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/1475\/revisions\/1680"}],"wp:attachment":[{"href":"https:\/\/mancent.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}