Gareth Curtis<\/p>\n\n\n\n
Though Hector Berlioz died a century and a half ago, he remains an intriguing and strangely isolated figure in the music of his day. His symphonies are like no others before them, he was the first composer to cultivate This course will explore the rich variety of his output, looking particularly at how it does and does not fit in with the musical world he inhabited, and at the rewarding legacy which he left for those later composers who cared to engage with it. Recommended reading:<\/strong> Ten weeks, starting\u00a014 January – 18 March, 2019<\/strong>.<\/p>\n\n\n\n Day<\/strong>: Mondays Time<\/strong>: 2pm\u2013 4pm<\/p>\n\n\n\n Venue<\/strong>: Need to book before 29th December, 2018<\/em><\/strong><\/p>\n\n\n\n
<\/p>\n\n\n\n
D. Cairns: Berlioz i: the Making of an Artist 1803\u20131832.<\/em> (London, 1989)
D. Cairns: Berlioz, ii: Servitude and Greatness 1832\u20131869. <\/em>(London, 1999)
P. Bloom (ed.): The Cambridge Companion to Berlioz. <\/em>(Cambridge, 2000)
H. MacDonald: Berlioz<\/em> (Master Musicians Series<\/em>). (London, 2000)
H. Berlioz (transl. J. Barzun): Evenings with the Orchestra<\/em> (London, 2002)
H. Berlioz (transl. D. Cairns): The Memoirs of Hector Berlioz<\/em> (London, 2002)<\/p>\n\n\n\n
Brook Road Methodist Church,
Davyhulme,
Urmston
M41 5RQ<\/p>\n\n\n\nPrice<\/strong><\/td> Concessions<\/strong><\/td> Minimum No.<\/strong><\/td> Maximum No.<\/strong><\/td><\/tr> \u00a390<\/td> <\/td> 10<\/td> 30<\/td><\/tr><\/tbody><\/table>\n\n\n\n