{"id":2577,"date":"2019-11-15T12:07:03","date_gmt":"2019-11-15T12:07:03","guid":{"rendered":"http:\/\/mancent.org.uk\/?page_id=2577"},"modified":"2019-11-15T16:44:30","modified_gmt":"2019-11-15T16:44:30","slug":"beethovens-piano-sonatas","status":"publish","type":"page","link":"https:\/\/mancent.org.uk\/?page_id=2577","title":{"rendered":"Beethoven\u2019s Piano Sonatas"},"content":{"rendered":"<p><strong>Part 1 <\/strong><strong>From Apprenticeship to Mastery : Sonatas 1 \u2013 21<br \/>\nPart 2 Into the Unknown : Sonatas 22 \u2013 32 <\/strong><\/p>\n<p>Rosemary Broadbent<\/p>\n<p>Of all Beethoven\u2019s works, the piano sonatas cover the longest period of his development as a composer, and were his most personal statements. His first published sonatas already test the boundaries of the style as he inherited it, and they subsequently chart his constant experimentation with structure and musical expression. In his centenary year, study and discussion of the sonatas give us a very accessible way to understand Beethoven\u2019s adventure and his genius.<\/p>\n<p>Course materials will be provided, but students are welcome to bring any Beethoven piano sonata scores they may have available.<\/p>\n<p><strong>Recommended reading<\/strong>:<br \/>\nMaynard Solomon (revised edition 2001) <a href=\"https:\/\/www.amazon.co.uk\/Beethoven-Revised-Solomon-Maynard-Paperback\/dp\/B011MDSZDC\/\">Beethoven<\/a>\u00a0 \u2013 <em>a recent, general biography<br \/>\n<\/em>Barry Cooper (2017) <a href=\"https:\/\/www.amazon.co.uk\/Creation-Beethovens-Sonatas-Historical-Keyboard\/dp\/1472414322\/\">The Creation of Beethoven\u2019s Piano Sonatas<\/a> \u2013\u00a0<em> on the process of composition<br \/>\n<\/em>Charles Rosen (2002) <a href=\"https:\/\/www.amazon.co.uk\/Beethovens-Piano-Sonatas-Companion-University\/dp\/B00SLSH4WA\/\">Beethoven\u2019s Piano Sonatas: a short companion<\/a> \u2013 <em>a performer\u2019s insights<br \/>\n<\/em>Maynard Solomon (2004) <a href=\"https:\/\/www.amazon.co.uk\/Late-Beethoven-Thought-Imagination-2004-10-04\/dp\/B01F81PPTQ\/\">Late Beethoven: Music, Thought, Imagination<\/a> \u2013 <em>useful background for Part 2<\/em><\/p>\n<p><strong>Day<\/strong>: Part 1: Friday 14 February\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <strong>Time<\/strong>: 11am \u2013 4pm<br \/>\nPart 2: Friday 13 March \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <strong>Time<\/strong>: 11am \u2013 4pm<br \/>\n<strong>The two days are linked, but each day school can be attended individually.<br \/>\n<\/strong><\/p>\n<p><strong>Venue<\/strong>:<br \/>\nQuaker Meeting House, 2 Cooper Street, Heaviley<br \/>\nStockport SKI 3DW (postal) \/ SK1 3QL (sat-nav)<\/p>\n<table class=\"wp-block-table\">\n<tbody>\n<tr>\n<td><strong>Price<\/strong><\/td>\n<td><strong>Concessions<\/strong><\/td>\n<td><strong>Minimum No.<\/strong><\/td>\n<td><strong>Maximum No.<\/strong><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>\u00a332 per day<\/td>\n<td>\u00a360 for 2 days<\/td>\n<td>6<\/td>\n<td>25<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Please send your\u00a0<a href=\"https:\/\/mancent.org.uk\/wp-content\/uploads\/2016\/07\/MANCENT-booking-form-new.pdf\" data-slimstat=\"3\">MANCENT booking form<\/a> with accompanying payment to the address below. If you prefer to pay through BACS, please contact the lecturer for further particulars.<br \/>\n<strong>Contact details: <\/strong>Rosemary Broadbent<br \/>\n26 Bowden Lane, Marple, Stockport SK6 6ND<br \/>\n<strong>E-mail:<\/strong> <a href=\"mailto:rosemary.broadbent@st-hughs.oxon.org\">rosemary.broadbent@st-hughs.oxon.org<\/a><br \/>\n<strong>Tel:<\/strong> 07801-491031<br \/>\n<strong>Website:<\/strong> <a href=\"http:\/\/www.rosemarybroadbent.co.uk\">www.rosemarybroadbent.co.uk<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Part 1 From Apprenticeship to Mastery : Sonatas 1 \u2013 21 Part 2 Into the Unknown : Sonatas 22 \u2013 32 Rosemary Broadbent Of all Beethoven\u2019s works, the piano sonatas cover the longest period of his development as a composer, and were his most personal statements. His first published sonatas already test the boundaries of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2581,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2577","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/mancent.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/2577","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mancent.org.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mancent.org.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mancent.org.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mancent.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2577"}],"version-history":[{"count":5,"href":"https:\/\/mancent.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/2577\/revisions"}],"predecessor-version":[{"id":2586,"href":"https:\/\/mancent.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/2577\/revisions\/2586"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mancent.org.uk\/index.php?rest_route=\/wp\/v2\/media\/2581"}],"wp:attachment":[{"href":"https:\/\/mancent.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}