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Welcome to a new year and the festival of Janus

Dr. Birgitta Hoffmann

A Nero Coin in the American Academy in Rome (RIC I ,2/ Nero #306; BMC 227) show the temple has a small rectangular building with a large door and little architectural decoration. No columns, no pediment.

The reverse of a Bronze coin of Nero showing the temple of Janus with its gate shut. A Row of small windows is visible on the side. The temple may have been flat-roofed. (foto: American Academy of Rome)

Ianus as a good of beginnings and endings (and thus of doorways – Ianua in Latin) was on of the oldest temples in Rome. According to Livy (book 1,19,2) the temple at the bottom of the Argiletum had been established by Numa the legendary ‘good king or Rome and creator of most of the religious traditions within the city.

Identifying the Ianus temple on the ground is fraught with difficulties. We know it was situated along the Argiletum (the main road that left the Forum Romanum heading north and into the Subura), but at least from the reign of Domitian onwards, much of this space was taken up with the Forum Transitorium.  Traditionally, it has been assumed that the Ianus Temple was to be found at its southern end, but the recent excavations failed to identify a temple structure similar to the temple of Minerva on the North end, so the temple of Janus Geminus (Janus with the two heads) remains elusive. We know from Procopius (BG (1)25 (2f) and Pliny the Elder (NH34,33) that the statue was one of the oldest in Rome and apart from the double head carried a staff and a key (the attributes of a doorkeeper in Rome). We know it was an archaic bronze statue that was nearly 2 meters tall, and dated to before the 2nd c. BCE.

The lower end of the Argiletum with Senate House on the Left and the excavation of the Southern end of the Forum Transitorium in the centre to the North of the Basilica Aemilia. (source: Google Maps 2024)

So why would such a small temple be so important? Mainly because of its age and of the associated rites.
At a time when more people were studying Latin, Ovid’s ‘interview with Janus’ at the beginning of Book I of the Fasti was something that a lot of Classics/Roman Archaeology students would remember from school. Here Janus defines himself as a god of Chaos and Order and thus of the natural rhythm in nature, but also as a guardian of Rome in peace and war.

As a god of beginnings, his is the first sacrifice of the new year and Ovid also tells us about the gifts that are given as part of the celebrations after the sacrifice people exchange dates, figs and honey, and most importantly, small coins.  After that, you made a (token) start at your work to ensure good luck for the year. Just a ‘token start’, the Kalends of January are a day off in Rome same as for us. But these rites appear to have taken part in the Roman home, rather than at his temple. And the only other public impression he would have made to the people of Rome was at the Nones of January (the 7 January) when the first ludi (Games) were dedicated to him.

There are very few private dedications to Janus, he was not a god that inspired a large following outside the New Year.

Beyond being the glorified gatekeeper of the year – and remember, the gatekeeper is one of the lowliest jobs available in a Roman household, Ianus is also the guardian of war and peace, with the doors open as long as Rome remained at war.

When you look for public commemoration of this God in Rome, there is a dedication to him on the Janiculum (where he is believed to have originally lived as the first king of Latium, before even the God Saturn arrived) and two old temples, one on the Forum Holitorium (near the circus of Marcellus), which was promised and dedicated after the Battle of Mylae (260BCE) and the small temple at the Argiletum.

The doors of this temple did not move very much, Rome remained at War for much of its War and our (admittedly incomplete records) show that the temple was closed in 235 BCE by T Manlius and by Augustus. The third time was under Nero in 64 or 66AD i.e. after the conclusion of the war with Parthia and the conclusion of the peace deal, regulating the situation of Armenia vis-à-vis both Rome and Parthia.

Ianus remains one of these gods we would like to know more about – did the doors really not close after Nero? Where was the temple exactly and how big was it? But like with much of Roman religion our records are far from complete and we are reconstructing as best as we can.

If you want to know more about Roman Religion or the results of the excavations of the last 25 years in Rome, please check out my online courses on Thursday night (Rome) and Friday afternoon (Temples). I look forward to continuing the discussion with you there.

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MANCENT 2023 Programme now out

Just in time for the bank holiday weekend, MANCENT is publishing its Autumn programme.

Courses will start in September and there is a wide range of humanities courses from Music to literature to History and Archaeology.

We are also reviving our Cultural day trips to various museums and sites and hope that will once again prove popular.

The full programme is on the website and can be booked either by contacting the lecturers or with many of them the online courses via Eventbrite links, which are very popular with our overseas students.

All the best and we look forward to seeing you soon at one of our events.

Birgitta Hoffmann
MANCENT Course Director and her team.

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Thinking about Religion in Roman Britain

Birgitta Hoffmann

Time to look towards the Autumn lecture courses and I am beginning to review material for a course on the Religious World of Roman Britain. Sound like a clumsy title, but I am trying to introduce the students to the complexity that were the competing or coexisting belief systems in Roman Britain. And yes I will compare it occasionally with the very complex religious universe of the Indian subcontinent.

One of the issues that interest me is the different levels at which some cult followers made decisions on how to be seen by the wider population.
This is the Aesculapius stone from Maryport. It isn’t the only stone to Aesculapius in Britain and it isn’t the only Greek inscription from Britain either. But this one was found in Maryport, not exactly a Roman place that you would associate with words like ‘multiethnic’ beyond the Roman/Iron Age divide (?) and certainly not a place you would expect to see a lot of Greek speakers….and still Aulos Egnatios Pastor chose to use Greek on his dedication to Aesculapios. Did a Greek god give premium service to Greek speakers? Was this part of a small Greek-speaking group? Does that mean the language of the services was Greek?
And would everybody else feel excluded or welcomed to a mysterious cult that used special magic words and must therefore be powerful?

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Why study Greek and Roman Myths by Tony Keen

Whenever I visit the National Gallery in London, I always stop in front of Titian’s Bacchus and Ariadne (1520-1523). It is one of my favourite paintings ever because mythologically it’s so rich.

Most mythological paintings of the sixteenth century and later draw upon the work of the Roman poet Ovid and his fifteen-book epic the Metamorphoses. Titian (full name Tiziano Vecelli) certainly drew upon Ovid’s work for paintings that came late in his career such as Diana and Callisto, Diana and Actaeon, and the Death of Actaeon. But the source for Bacchus and Ariadne, painted when Titian was in his thirties, was not the Metamorphoses. Ovid does mention the story, but not in detail. The best-known version of the tale is in an earlier poet, Gaius Valerius Catullus. Catullus’ poems were mostly short, but a small collection of longer poems survive. Of these, the longest is Poem 64. A ‘mini-epic’ of 408 lines, it covers a number of mythological accounts, including that of Bacchus and Ariadne.

Ariadne was a daughter of King Minos of Crete. She aided the Athenian hero Theseus when he came to Crete to kill her half-brother, the half-man, half-bull Minotaur. Understandably, afterwards, she had to flee Crete with Theseus. But then, for reasons no account really explains properly, Theseus abandons Ariadne on the island of Naxos. This is the moment Titian dramatises.

Ariadne is caught waving towards the ship of Theseus, which can be seen on the horizon, sail billowing in the wind. But Ariadne is suddenly distracted by the coming of the god Bacchus (the Greek Dionysus), the god of wine and revelry. We see her having turned her head towards the new arrival.

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Late Addition to the Course “Can’t live with them, can’t live without them: living on the edge of the Roman Empire

On October 28th, 2016 we are running a dayschool in Wilmslow to address how the smaller neighbours responded to having Rome as an overmighty neighbour. As you can imagine no two people react in quite the same way, and questions of size of the state and the history between Rome and the state/tribe in question played as significant role. After all, while Parthia or the Dacians did have the power to inflict crushing defeats on the Romans, other tribes, such as the Parisi in East Yorkshire would have a lot less options in their response to Rome. However, archaeology has shown that the situation could be very fluid with Iron Age hill forts active within sight of Roman forts, as in the picture here from the XD136BGerman Limes on the Main at Miltenberg in one area, while other areas appear to have been empty of Iron Age populations and there is historic evidence for deportation and genocide.

 

As part of the dayschool we are happy to announce that Prof Euan MacKie from the University of Glasgow has agreed to come and talk to us about how the residents of the Iron Age Brochs in Western Scotland interacted with Rome and how the archaeological evidence can be used to reconstruct their relationship with Rome.

Prof. MacKie has just finished the final report on his excavations on the Broch of Leckie in Stirlingshire and we look forward to hearing all about his findings.

For more information or to book your course, please visit the course site at https://mancent.org.uk/?page_id=183

More information on Prof MacKie can be found on numerous sites, including his Wikipedia page.